Caesar is a truly compelling character, whose career brought Rome almost to the pinnacle of its power, but also brought about the end of the republic and the beginning of empire. Through the prism of his story, students can consider a variety of questions about power, ambition, various forms of government, and the relationship of people and their leaders, that bear upon our current political situation. The narrative draws students in more effectively than most more abstract philosophical consideration of such issues, while the historical distance can also allow a more thoughtful consideration and exchange of views around these issues than may be possible when discussing the contemporary situation more directly.
The Dao De Jing is attributed to Laozi, translated as “The Old Master,” a possibly fictitious legendary contemporary of Confucius. As such, the Dao De Jing is a response to Confucianism and its emphasis on social relations grounded in the family to create a harmonious cosmos. Daoism criticizes Confucianism here by claiming that the exclusive focus on proper social relations is an attempt to fix and concretize dao in a way that will ultimately backfire and miss the mark. While both Confucianism and Daoism emphasize wuwei (non-action), Daoism seems to expand the sage’s realm of focus beyond the merely societal to include nature and the entire cosmos. Later, Buddhism would combine its unique features with Daoism to produce Zen. This text is fascinating to anyone interested in texts as a way of being in the world.
Dostoevsky stands among the great Russian novelists and world writers. In his characters, the reader encounters the complexity of human thought and desire, the quest for understanding ourselves, and the perennial questions that mark human interaction. Dostoevsky’s ideas at the time of the novel’s composition were very much informed by the radical political climate in St. Petersburg, ideas which Dostoevsky felt were morally and politically dangerous.
In her imagery and in her diction, Dickinson captures the questioning nature of the human experience in her poetry. She grapples with questions of love, death, and eternity in a brutally honest way. Her poems appear to be incredibly straightforward, but there are multiple layers of meaning, and possible interpretations. The struggle and desire of a person trying to make sense of her place in the universe is palpable on the pages of Dickinson’s poetry. The poems are transformative because she captures beautifully, perfectly, and deceptively simply, the range of human emotion and wonder in her poetry.
There are many timeless questions addressed in this text. Part of the human experience is learning how to read the world around you, and to make decisions about relationships. Who is truthful, who is deceitful? Who is good, who is dangerous? Who is supportive, who is threatening? These decisions, in modern society, are also key when making decisions about love and marriage. In our lives, we all must confront our pride and our prejudice at some point and learn to see people for who they are.
Although much of the narrative of the Confessions happens during Augustine’s time in Italy, this book, so undeniably central to the western canon, is by a writer who was born, grew up, and spent the majority of his career in, Africa. Thus it challenges our conception of where such books originate and our preconceptions about the people who wrote them. It is often called the first autobiography, and presents a remarkable exploration of interiority – questions about the nature of the self, the will, the memory, the intellect, and the soul are central to Augustine’s investigations. Some students are immediately drawn to the beauty of the book as a work of literature, and to the intense self-examination it models.